home / subscribe / donate / books / archives / search / links / feedback / events / faq
Inside the New Print Edition of Our Subscriber-Only Newsletter!
"The Plan is to Take You Over by Force"
As the economy implodes, the social fabric frays and nutball groups organize for Armageddon. Pam Martens describes the national game-plan of the “Free State Project”. He was the richest man on the planet and in 1973 he pledged to shut down the illegal drug industry in New York. Thousands, mostly blacks and Hispanics were pitch-forked into prison for decades. This year New York State will repeal its drug laws. Read Bruce Jackson on Nelson Rockefeller’s curse. Half a million new jobless every month and the salesmen of “free trade” still hawk their credo. Paul Craig Roberts describes what offshoring has done to America. Get your new edition today by subscribing online or calling 1-800-840-3683 Contributions to CounterPunch are tax-deductible. Click here to make a donation. If you find our site useful please: Subscribe Now! CounterPunch books and gear make great presents.
Order CounterPunch By Email For Only $35 a Year !
Meet & Debate (Perhaps Even Date) CPers Online at CounterPunch's New Facebook Page!
|
Today's Stories April 17-20, 2009 Alexander Cockburn April 16, 2009 Mike Whitney Russell Mokhiber Ronald Teska Gareth Porter Paul Fitzgerald / Benjamin Dangl Kevin Pina Robert Bryce George Wuerthner Paul Garon, David Roediger and Kate Khatib The Surreal Life of Franklin Rosemont Website of the Day April 15, 2009 Kathleen and Bill Christison Ray McGovern Robert Sandels Heather Williams / Jack Willoughby David Swanson Paul Craig Roberts Sara Mann Kenneth Couesbouc Binoy Kampmark Kekuni Blaisdell, Lynette Hi'llani Cruz, George Kahumoku Flores, et al.: An Urgent Letter to Obama on the Rights of Native Hawaiians Website of the Day April 14, 2009 Conn Hallinan Mike Whitney Peter Morici Greg Moses Fidel Castro Robert Weissman Rebecca Macaux / Carmelo Ruiz-Marrero Dave Lindorff Walter Brasch Benjamin Day Website of the Day April 13, 2009 Patrick Cockburn Uri Avnery Jeremy Scahill Martha Rosenberg Karl Grossman Nadia Hijab Sam Smith James McEnteer Sean McMahon Namihei Odaira John V. Walsh Website of the Day April 10 / 12, 2009 Alexander Cockburn Chris Floyd Mike Whitney Saul Landau M. Reza Pirbhai Franklin Spinney Rannie Amiri William Blum Matt Vidal Jeff Howison Jeff Leys Dave Lindorff Ramzy Baroud Missy Beattie Fred Gardner Harvey Wasserman Another $50 Billion for Rust Bucket Nukes? Suzan Mazur Bernard Umbrecht David Macaray Janet Kauffman Ron Jacobs Norman Solomon Michael Winship Richard Rhames Wanda Fucha David Yearsley Lorenzo Wolff Ben Sonnenberg Jeffrey St. Clair Poets' Basement Website of the Weekend April 9, 2009 Mike Whitney Patrick Cockburn Stephen Soldz P. Sainath Ellen Cantarow Gareth Porter / Jeremy Scahill Jerry Kroth Binoy Kampmark Fidel Castro Website of the Day April 8, 2009 John Prados Bill Moyers / Winslow T. Wheeler Russell Mokhiber Kathy Sanborn Rev. William E. Alberts James McEnteer Rashomon and the Binghamton Shooter: the Rush to Interpret Jiverly Wong's "Statement" Nadia Hijab Adam Turl Kevin Zeese Website of the Day April 7, 2009 David Price Uri Avnery Chris Floyd Winslow T. Wheeler Defense Cuts: Gates and the System Marjorie Cohn Dean Baker Diana Johnstone Dave Lindorff Martha Rosenberg Evelyn Pringle Website of the Day April 6, 2009 Michael Hudson Andy Worthington Bagram: Guantánamo's Dark Mirror Ray McGovern Deepak Tripathi Mike Whitney Norman Solomon Jonathan Cook Judith Bello Deena Metzger Blackwater in Liberia Dr. M. Kamiar Website of the Day April 3-5, 2009 Alexander Cockburn Kathy Kelly / Peter Morici Kathy Sanborn Andy Worthington Rob Larson Saul Landau Steve Early John Goekler Rannie Amiri Dave Lindorff Lee Ballinger Ron Jacobs David Macaray John Wight Keeanga-Yamahtta Taylor Mychal Bell Missy Beattie Reza Fiyouzat Michael Boldin Christopher Brauchli Charles R. Larson Susie Day Stephen Martin Kim Nicolini David Yearsley Phyllis Pollack Poets' Basement Website of the Day
April 2, 2009 Robert Weissman Eric Toussaint / George Bisharat Russell Mokhiber Franklin Lamb Gareth Porter David Macaray Chris Genovali Sam Smith Suzan Mazur Website of the Day
April 1, 2009 Chris Floyd Stanley Heller Mark Brenner, Mischa Gaus and Jane Slaughter Obama's Perilous Plan for Detroit: Restructure the Big 3, But Not With Bankruptcy Jonathan Cook Eric Walberg Richard Morse Don Fitz Laray Polk Belén Fernández Harvey Wasserman Website of the Day March 31, 2009 Uri Avnery Peter Lee Nicholas Dearden Dave Lindorff Joanne Mariner Ron Jacobs Wiliam S. Lind David Michael Green Benjamin Dangl Johnny Barber Dedrick Muhammad Website of the Day March 30, 2009 Michael Hudson Patrick Cockburn Henry A. Giroux Mike Whitney Ralph Nader Paul Craig Roberts Jeremy Scahill Robert Bryce Jonathan Cook Ray McGovern Website of the Day
|
Weekend Edition The Dead in GreensboroTearing the Whole Building Down By RON JACOBS Sonic waves. Rock and roll sensibilities. Psychedelic blues guitar and rhythmic creativity that very few manage. Superlatives do not exist to describe the sonic treat that met the audience at the Greensboro Coliseum in Greensboro, North Carolina the night of April 12, 2009. I rode from Asheville with a friend and a buddy of hers from high school to the concert. The anticipation was great, but no one knew what to expect. The typical Dead crowd was partying in the parking lot; the bazaar selling everything from beers and burritos to stained glass, t-shirts and intricately designed pipes (plus the stuff to smoke in them). The police maintained a constant but low profile. No major incidents in the parking lot. About an hour before the show I headed indoors. Bought a beer and wandered around, running into a couple friends from various locales. Once the show began all bets were off. The band began with the song "The Music Never Stopped"- a rock and roll stomper dedicated to those who always hear the music, even when the band has packed and gone. Next was "Jack Straw," one of the classic Robert Hunter tales of the outlaw who is part hustler, part loser, and an essentially good guy who finds himself in situations that have nothing but morally ambiguous endings. The band's work in the first thirty or so minutes was tight yet meandering in the way that one expects a jazz combo to be on a great night. Or, it was like the Grateful Dead was on a good night when Jerry Garcia was still alive. Taking the honors from Garcia was Gov't Mule/Allman Brothers guitarist Warren Haynes. Haynes is a blues and rock guitarist extraordinaire whose legend just continues to grow with each gig he plays. A s the set progressed into the sometimes sarcastic, sometimes celebratory "Estimated Prophet" and then the Dead's paean to its fallen inspirations (from Beat legend Neal Cassady to Jerry Garcia and beyond) "He's Gone," the music began to reach that space where the best Dead music has always gone. I can't tell you exactly where it is, but it's not of this earth yet is positioned firmly on the firmament the audience is dancing on. Finishing off with what might be termed the Dead's Top 40 hits, rhythm guitarist Bob Weir led the band and audience through "Touch of Grey" and "I Need A Miracle." Replete with the almost mandatory singalongs to certain songs and verses that each listener has hung their own special meanings to, the first set ended in a celebratory version of "Truckin'." The rhythm section of Phil Lesh, Bill Kreutzmann, and Mickey Hart remain much more than a mere rhythm section. It's not just a backbeat, it's a melodic riff. This would become even more apparent in the second set when they took over the stage for close to half an hour when the rest of the band took their leave in the middle of a jam that began as soon as they hit the stage after intermission. The disco tinged "Shakedown Street" broke the ice and, while folks made their way to a place where security wouldn't insist they sit down instead of dance, the first strains of Bob Dylan's "All Along the Watchtower" unleashed themselves from Haynes' guitar. From there it was back to the early psychedelia of the Dead's catalog. A jam that began with Haynes singing "Caution, Do Not Stop On Tracks" from the Anthem of the Sun album proceeded into a rhythm section performance that had its roots in the place in the human soul that resides somewhere between the Garden of Eden and the future we do not know. That's a mighty big space, but this rhythm crew can fill it like no other. Entwined in the rhythm section's recital were guitar notes that seemed to come from that space Sun Ra called the place. The rhythm section solo came back around with another hippie classic titled "Cosmic Charlie" from the 1969 album Aoxomoa and then bassist Lesh lent his vocals to "New Potato Caboose"--a song that sometimes sounds like it was written by Arnold Schoenberg after he attended a blues club on acid. The set continued with a sonic adventure lifted from the first side of the 1975 Blues for Allah album. This series pf songs, which begins with the jazzlike "Help On the Way" slides into the instrumental "Slipknot" and releases itself in the anthemic "Franklin's Tower" with its directive to "roll away the dew." It was during this part of the concert that I was reminded of John Coltrane's album Ascension. The music that came from the stage in Greensboro during this segment came down in walls without dimensions. Walls that overwhelmed the structure they were meant to contain. Walls that crumbled from their own depth and breadth of sound. Walls that became waves of musical substance without limit. Walls that resolved themselves in the dance that "Franklin's Tower" insisted on. And then, it was over. The band played the blues classic "Samson and Delilah" for an encore. This is a song that claims that "if he had his way, he would tear this whole building down." Although the Greensboro Coliseum was able to contain the Dead this evening, if they continue to perform as they did the opening night of their tour, there may come a time when no building can. Ron Jacobs is author of The Way the Wind Blew: a history of the Weather Underground, which is just republished by Verso. Jacobs' essay on Big Bill Broonzy is featured in CounterPunch's collection on music, art and sex, Serpents in the Garden. His first novel, Short Order Frame Up, is published by Mainstay Press. He can be reached at: rjacobs3625@charter.net
|
Now Available from CounterPunch Books! Spell Albuquerque: Waiting for
Lightning
|