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Why Blacks Keep Quiet About Obama
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Today's Stories June 26, 2008 Patrick Cockburn June 25, 2008 David H. Price Stephen Soldz Andy Worthington Marjorie Cohn Joanne Mariner Ralph Nader Robert Weissman Christopher Brauchli Suren Pillay Seth Sandronsky Website of the Day June 24, 2008 Ishmael Reed P. Sainath Nikolas Kozloff Gregory Kafoury Betty Shamieh Mike Whitney Andy Worthington Bill Christison Philippe Marlière Website of the Day June 23, 2008 Michael Hudson John Ross Peter Montague Ramzy Baroud Robert Fantina Robert Weitzel David Macaray Howard Lisnoff Richard Rhames Gail Dines Tim Matson June 21 / 22, 2008 Alexander Cockburn Jeffrey St. Clair Pam Martens Mike Whitney Chris Floyd Tim Wise Paul Craig Roberts Michael Winship Ron Jacobs Ramzy Baroud Alan Farago Michael Yates Dave Lindorff Bernard Chazelle Linda Mamoun Jo-Shing Yang Robert Jensen Website of the Weekend
June 20, 2008 Robert Oscar Lopez Paul Craig Roberts Bouthaina Shaaban Bill Quigley Moshe Adler Patrick Cockburn Andy Worthington Norman Solomon Martha Rosenberg June 19, 2008 Ralph Nader Chellis Glendinning Neve Gordon Dave Lindorff Sheldon Richman George Bisharat Jackie Corr Farzana Versey Website of the Day June 18, 2008 Nicole Colson Rev. William E. Alberts Vijay Prashad Parvez Ahmed Bob Moss Dave Lindorff David Wilson June 17, 2008 Conn Hallinan Wajahat Ali Marjorie Cohn Uri Avnery David Macaray Rannie Amiri Website of the Day June 16, 2008 Uri Avnery Corey D. B. Walker Howard Lisnoff Dennis Loo Paul Craig Roberts June 13 / 15, 2008 Douglas Valentine Alexander Cockburn Jeffrey St. Clair Peter Linebaugh Ishmael Reed Joe Bageant Harry Browne Andy Worthington Jeff Sharlet Binoy Kampmark Alan Farago Brian Cloughley Manuel Garcia, Jr. Reza Fiyouzat Patrick Bond / David Yearsley Niranjan Ramakrishnan Ronnie Cummins Dan Bacher Michael Dickinson Seth Sandronsky Poets' Basement Website of the Weekend June 12, 2008 Judith Levine Patrick Cockburn Saul Landau Christopher Brauchli Norman Solomon Helen Redmond Laura Carlsen Jeremy R. Hammond Anne Landman Website of the Day June 11, 2008 Paul Craig Roberts Ralph Nader Joshua Frank Clifton Ross Muhammad Idrees Ahmad Stephen Lendman Diane Farsetta Ron Jacobs Deborah Rich Hop Wechsler Website of the Day June 10, 2008 Alan Farago James G. Abourezk Saree Makdisi Malini Johar Schueller John Ross Wajahat Ali Peter Morici Jordan Flaherty Gary Macfarlane Joanne Mariner Website of the Day June 9, 2008 Uri Avnery Nikolas Kozloff Allan Nairn Dennis Loo Harry Browne C. Hand Peter Morici Kenneth Couesbouc Martha Rosenberg James L. Secor Website of the Day June 7 / 8, 2008 Alexander Cockburn Ishmael Reed Jeffrey St. Clair Nikolas Kozloff Dave Lindorff Robert Fantina Conn Hallinan Neve Gordon Tom Barry Patrick Irelan Tim Wise David Ker Thomson Joshua Frank David Yearsley James T. Phillips Joe Allen P. Sainath David Macaray B.R. Gowani Fred Gardner Peter Harley Michael Dickinson Jen Roesch Poets' Basement Website of the Day
June 6, 2008 Frank Barat Patrick Cockburn Gary Leupp James Abourezk Peter Morici Faheem Hussain Andy Worthington Ayesha Ijaz Khan Dave Lindorff Website of the Day June 5, 2008 Patrick Cockburn Sharon Smith Nikolas Kozloff Linn Washington, Jr. Omar Barghouti Scott Pellegrino John Walsh Dan Bacher DC Larson Robert Jensen Website of the Day June 4, 2008 Eric Walberg Gary Leupp Ralph Nader Dave Lindorff George Wuerthner Victor M. Rodriguez Remi Kanazi Stephane Luçon Farzana Versey Laray Polk Website of the Day June 3, 2008 Paul Craig Roberts / Mike Whitney Steve Early Manuel Otero George Bisharat Nikolas Kozloff Dan Bacher Website of the Day June 2, 2008 Uri Avnery Nikolas Kozloff Allan J. Lichtman Malini Johar Schueller Robert Weissman Peter Morici Manuel Garcia, Jr. John Ross Ahmad Al-Akhras Website of the Day May 31 / June 1, 2008 Alexander Cockburn Jeffrey St. Clair Gary Leupp Stan Cox Rannie Amiri P. Sainath Binoy Kampmark Robert Fantina Seth Sandronsky Corporate Crime Reporter Anthony DiMaggio Karl Grossman Matt Reichel Paul Myron Hillier Andy Worthington David Yearsley Daniel Cassidy Charles Thomson Gary Corseri Wajahat Ali Ron Jacobs Poets' Basement Website of the Day
May 30, 2008 Bassam Aramin Andrew Cockburn Saul Landau Nikolas Kozloff Robert Sandels Dave Lindorff Martha Rosenberg Harvey Wasserman Doug Giebel Shaun Harkin Website of the Day May 29, 2008 Jeffrey St. Clair Nikolas Kozloff Col. Dan Smith Karl Grossman William S. Lind Robert Weissman Dave Lindorff David Macaray Chris Genovali Laura Carlsen Website of the Day May 28, 2008 Wajahat Ali Ralph Nader Brian McKenna Corporate Crime Reporter Brian Cloughley Eric Walberg Michael Dickinson Ijaz Khan Website of the Day May 27, 2008 Alexander Cockburn Greg Kafoury Jean Bricmont Tim Wise Ricardo Alarcón Stephen Soldz Andy Worthington Alan Singer Richard Neville Susie Day May 26, 2008 Uri Avnery Bill Quigley Col. Dan Smith Cindy Sheehan Marjorie Cohn Fred Gardner Raymond J. Lawrence Harvey Wasserman Moncia Benderman David Rovics Website of the Day May 24 / 25, 2008 Alexander Cockburn Jeffrey St. Clair Barbara Rose Johnston Nikolas Kozloff Adriana Kojeve Robert Fantina Dave Lindorff David Yearsley Nelson P. Valdés Kathleen M. Barry John Ross Allison Kilkenny Fred Gardner Elizabeth Schulte Daniel Gross Christopher Brauchli Richard Rhames Daniel Cassidy Poets' Basement Website of the Weekend
May 23, 2008 Paul Craig Roberts Alan Farago Conn Hallinan Mark Engler George Wuerthner Kamran Matin Sandy Boyer / Robert Weitzel Cindy Sheehan Liaquat Ali Khan Website of the Day
May 22, 2008 Vijay Prashad Joanne Mariner Sharon Smith Jeff Birkenstein Brendan McQuade Peter Morici Niranjan Ramakrishnan Dave Zirin Ron Jacobs Stephen Lendman Website of the Day May 21, 2008 Jeffrey St. Clair Nikolas Kozloff Alan Farago Dave Lindorff David Model Eric Walberg Franklin Lamb Kenneth Couesbouc Website of the Day
May 20, 2008 Ralph Nader Uri Avnery Patrick Irelan Ray McGovern David Macaray Chris Genovali Ibrahim Fawal Christopher Ketcham Andy Worthington Martha Rosenberg Website of the Day May 19, 2008 Saul Landau Paul Craig Roberts Brian McKenna Patrick Cockburn B. R. Gowani Dr. Trudy Bond Cindy Sheehan John Mohawk Remi Kanazi Robert Day Website of the Day |
June 26, 2008
Adam Sandler's Shameful Film You Don't Mess With the Racism!By REMI KENAZI I love Adam Sandler. From Billy Madison to Happy Gilmore to the Chanukah Song, the predecessor of the Superbad generation has effortlessly conquered the domain of slapstick comedy and inappropriate jokes. But damn you Scuba Steve! If you’re going to propagate misinformation about the Palestinian-Israeli conflict, do it quietly—or at least in your non-comedic life. You Don’t Mess With the Zohan, Sandler’s new flick, takes Hollywood chicanery and stereotypes that denigrate Arabs to an unprecedented level—surpassing hit flicks like the Kingdom, the Siege, and every Arnold Schwarzenegger and Chuck Norris movie that came before it. I group Zohan with other shamelessly racist action movies because a film should at least be minutely funny to be categorized as a comedy. For the Sandler diehards and hilarity-loving skeptics, I should clearly state: using race and prejudices to engender laughter is not the problem. Mel Brooks and the creators of South Park exploit stereotypes far beyond anything Sandler has ever done, but unlike Zohan, I don’t think insidious propaganda and underlying racism drive their comedy. After all, if this hebetudinous clunker was just comedy, Sandler and company wouldn’t have, as the New York Times reported, sought out Arab actors to give the movie “legitimacy.” Their search was successful and a few token Arabs showed their presence to innocuously inform the public that it is okay to vilify the crazy towel-headed terrorists once again. What makes this movie even worse than many of the unfavorable movies made post-9/11 is Zohan’s disarming presentation; it is a comedic approach to understanding the inner workings of the substandard Arab people. Like the job stealing Mexicans, the liquor store robbing Blacks, and the HIV infested gays, negative stereotypes in Zohan strip down the Arab people to RPG wielding animals that senselessly thirst for Jewish blood. From the start of the film, Sandler’s character, Zohan, is positioned as the altruistic hero—an Israeli Mossad agent who reluctantly kills Palestinian “terrorists,” while forgoing his real dream: to cut hair in the US for Paul Mitchell. Zohan is “brave,” “lovable,” and “funny,” and even his stereotypical chauvinism is eaten up by women (and men) throughout the movie—including his eventual Palestinian love interest, Dalia. Compounded with played out, corny penis gags, the Israeli narrative is interwoven into the fabric of the film, including propagandistic reminiscences by Zohan’s father who recalls the oft-repeated myth of being surrounded “on all sides” by powerful enemies during the Six Day War—a war in which Israel preemptively struck and dominated those “enemies.” In line with Israeli and Western intelligence, Israel won the war in six days (and five hours, as Zohan’s father dutifully reminds us)—so much for existential threats and heroic narratives. Other historical revisions include a reference in a verbal battle between a Palestinian and Israeli shop owner, in which the Palestinian proclaimed, “Give it up, like you gave up the Gaza Strip!” This biting taunt, while not as blatant as the common stereotype, infers that Israel “gave up” the Gaza Strip and further insinuates that Israel had claim to it. The “humorous” jeer glosses over the glaring reality: Israel still occupies Gaza’s borders, airspace, imports and exports, and has economically strangulated and suffocated 1.4 million Palestinians in the world’s largest open-air prison. But rewriting history (and regurgitating jokes from 1996) is hardly the movie’s worst crime. The portrayal of Palestinians as ugly, dirty, incompetent, stupid, goat loving terrorists was jammed down the viewer’s throat more times than Zohan’s lame hummus jokes. It becomes obvious to the audience why these good looking, suave, kindhearted Israelis have to kill these evil Palestinian “terrorists”—because they hate Jews more than they hate soap. The most egregious grievance by a Palestinian “terrorist” throughout the film was the stealing of a pet goat. Israel has killed more than 4,000 Palestinians since the start of the second intifada, including nearly a 1000 children, yet the main gripe of these rabid “terrorists” is a stereotypical love for hillside animals. This “inoffensive” scenario is the equivalent of a scene in a Hollywood “comedy” made by a Palestinian filmmaker stereotypically portraying Jews as pissed off about being sent to Auschwitz because they found out that Hitler was going to make them pay for the train ride. A particular scene in Zohan went beyond comprehension: Sandler’s casting agency rounded up a handful of children to play Palestinians throwing rocks at Zohan. What does Zohan do in response to the actions of these soon-to-be terrorists? He gleefully catches the stones and turns them into the equivalent of a balloon animal. One is supposed to toss aside any arising sensitivities and overlook the many instances Israeli snipers and soldiers have shot Palestinian children in the head or taken their eyes out with rubber bullets because of these rocks Zohan takes with a smile. The posturing of the noble and affable Mossad agent is a slick attempt to humanize Israel and make the Mossad (an outfit that has engaged in countless operations of state terrorism) look like the valiant GI Joe force in the Middle East combating jihadi thugs in the name of good. But Sandler’s character is not only a hero, he’s also a humanitarian. There are multiple scenes where Zohan informs the audience that Israelis do their best to minimize the loss of innocent Palestinian life, when an examination of the conflict by Israeli human rights organizations exposes quite the opposite. Other stereotypes saturate the movie. The Palestinian salon that Zohan gets a job at is described as a dump, Palestinians constantly cheer for the “terrorists,” a crowd of Palestinians applaud the death of “heroic” Zohan (which he faked), and the “terrorists” are so stupid and illiterate that they purchase Neosporin instead of liquid nitrogen to make their bomb to kill Zohan. There is no distinction made between Hezbollah, Hamas, jihadists, and terrorist sexcapading sheiks. Furthermore, the film conveniently illustrates how Israelis in the US, as “fellow” natives of the Middle East, suffer the same discrimination and tribulations as Arabs in a post-911 world. Oddly, Israelis are passed off as “brown” and “other” like the Arabs in the film, yet Zohan’s parents look like European Ashkenazi Jews. Moreover, while Israelis are shown as native hummus loving Middle Easterners, Zohan’s family is portrayed distinctively differently from the backwards Arabs. Zohan’s parents are sweet, comforting, reasonable and accepting from beginning to end, not rigid like their Arab counterparts. Even when Zohan finally captures Dalia’s heart, his parents show up in America and warmly embrace their relationship without question—while Dalia and others resist the notion of a courtship between the two and tells Zohan that her family would never accept him. Ah, if only all Arabs could just get to know Israelis and see how kind, generous, and amorous they all are, the sooner we could all sit in a circle singing Kumbaya over s’mores and unfunny Zohan hummus jokes. The worst dialogue throughout this 102 minute laughless action flick is made by Dalia (played by Emmanuelle Chriqui), Zohan’s eventual Palestinian love interest. She serves at the omnipotent propagandist—blaming the troubles of the conflict on “extremists” and “hate” on both sides. She endlessly and vaguely laments about how much “hate” there is “over there,” and describes to Zohan that things are “different here.” As any knowledgeable American knows, Palestinians and Israelis love each other here in the US; they frequently have bake sales together; they form sit-ins for blind coexistence on college campuses; and have Palestinian/Israeli karaoke nights where they sing their favorite Beatles tunes like Give Peace a Chance. What Sandler, and co-writers Judd Apatow and Robert Smigel, fail to understand is that before there was Hamas, Yasser Arafat, Fatah, the PLO, or any resistance movement, there was the dispossession of the Palestinian people, whereby 780,000 indigenous Palestinians were displaced from their homeland by Jewish gangs and terror groups. Flash forward 60 years and the Palestinian people are living in squalor in demolished towns and refugee camps enduring a 40 year occupation that strangulates their economy and diminishes any semblance of normalcy or a proper life. What we are to believe by watching this film is that if everyone would just stop “hating” (which Israelis are depicted as clearly willing to do, while Palestinians resist it vehemently) Israelis and Palestinians could effortlessly live together in harmony. But “hate” has little to do with a conflict rooted in a people’s desire for basic human rights and an end to oppression. In the end, everything ends up happy and joyful: Zohan gets the girl, he saves the block from a conniving mall developer, and the “terrorists” stop terrorizing. But the jovial ending left a sour taste in my mouth. As nearly a dozen “nameless” Palestinians were killed by innocent and heroic Israeli soldiers last week and another report of the humanitarian catastrophe in Gaza went unnoticed in the US press, people were laughing all over the country at how stupid, feeble, violent and backwards Arabs are. A diehard Sandler fan proclaimed: “He's making it for 13 year old boys. It's Critic Proof.” That’s what scares me most of all. Remi Kanazi is the editor of the forthcoming anthology of poetry, Poets For Palestine, which can be pre-ordered at www.PoetsForPalestine.com. Remi can be contacted at remroum@gmail.com. ![]()
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