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You Want to Deal With a Humanitarian Crisis, Mr Obama?
“Right now Israel, with full support from the U.S. is denying 1.5 million people in Gaza ALL the necessities of life.” Read Kathleen and Bill Christison’s searing emergency bulletin to Obama. “This is a U.S.-created, U.S.-supported disaster…Put meat on the bones of your talk about compassion…” Also in the new issue of our subscriber-only newsletter, Barbara Rose Johnston brings us a detailed report on the drive for justice in Guatemala after another catastrophe sponsored by the U.S. – the building of the Chixoy Dam. Finally, Alexander Cockburn sets out the record of assaults on freedom in the Bush years. Get your Legacy Edition today by subscribing online or calling 1-800-840-3683 Contributions to CounterPunch are tax-deductible. Click here to make a donation. If you find our site useful please: Subscribe Now! CounterPunch books and gear make great presents.Order CounterPunch By Email For Only $35 a Year !
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Today's Stories December 26-28, 2008 Ellen Cantarow December 25, 2008 Judy Gumbo Albert Rev. William E. Alberts Hannah Mermelstein Worthy Group of the Day December 24, 2008 Bill Quigley Saul Landau Sam Smith Brian Cloughley John Ross Eric Walberg Norm Kent Stephen Martin Worthy Group of the Day December 23, 2008 Michael Hudson Michael Yates Chuck Spinney Vijay Prashad Brian Horejsi David Macaray Neil Watkins / David Michael Green Worthy Group of the Day December 22, 2008 Pam Martens Gary Leupp Mike Whitney Karl Grossman Niall Meehan Steve Conn Uri Avnery Corey D. B. Walker David Swanson Worthy Group of the Day December 19 - 21, 2008 Alexander Cockburn Jeffrey St. Clair Paul Craig Roberts Patrick Cockburn Felice Pace Diane Farsetta George Ciccariello-Maher Eric Bergoust Marjorie Cohn Stan Cox Michael Donnelly Robert Weissman Ralph Nader Alan Farago Sam Smith Timothy G. Hermach Seth Sandronsky Rannie Amiri David Yearsley Martha Rosenberg Dave Lindorff Christopher Brauchli Missy Beattie Richard Rhames Stephen Martin Paul Krassner Lorenzo Wolff Poets' Basement Worthy Group of the Weekend December 18, 2008 Phillip Doe Ronnie Cummins Jesse Sharkey Saul Landau Peter Morici Dave Lindorff Panos Petrou Jeff Cohen / Worthy Group of the Day December 17, 2008 Peter Lee Conn Hallinan Mike Whitney Jeff Halper Alan Farago Peter Morici Norm Kent Col. Douglas MacGregor Margaret Kimberley Ron Jacobs Worthy Group of the Day December 16, 2008 Vicente Navarro Patrick Cockburn Thomas Michael Power Jason Hribal Farzana Versey Wajahat Ali / Mats Svensson Paul Fitzgerald / David Macaray Howard Lisnoff Worthy Group of the Day December 15, 2008 Andy Worthington Franklin Lamb Karl Grossman Brian Cloughley Mary Lynn Cramer Steve Early Thomas Christie Ken Paff Niranjan Ramakrishnan Dave Lindorff Alan Farago Worthy Group of the Day December 12 / 14, 2008 Alexander Cockburn Michael Hudson / David Price Jeffrey St. Clair Frank Barat John Ross Binoy Kampmark David Macaray Ralph Nader Eamonn Fingleton Lawrence Velvel Behzad Yaghmaian Sam Husseini Tom Barry Howard Lisnoff Laura Carlsen Raj Patel Ron Jacobs Paul Watson David Yearsley Lorenzo Wolff Kim Nicolini Susie Day Poets' Basement Worthy Group of the Weekend December 11, 2008 Patrick Cockburn P. Sainath Vicken Cheterian Ray McGovern Dedrick Muhammad Lee Sustar Peter Morici Ayesha Ijaz Khan George Wuerthner Christopher Brauchli Worthy Group of the Day December 10, 2008 Ismael Hossein-Zadeh Mary Lynn Cramer Manuel Garcia, Jr. Joshua Frank Steve Conn Lee Sustar Glen Ford Stephen Lendman Nadia Hijab Dave Lindorff Website of the Day December 9, 2008 Mike Whitney Fawzia Afzal-Khan Ghada Karmi Dave Lindorff Steve Breyman Lee Sustar / Rev. William E. Alberts Martha Rosenberg Sam Husseini David Macaray Website of the Day December 8, 2008 Steve Early Michael Hudson Patrick Cockburn Diane Farsetta Paul Craig Roberts Daniel Gross Saul Landau Harvey Wasserman Mike Ferner Norman Solomon David Michael Green Website of the Day
December 5 / 7, 2008 Alexander Cockburn Brian Cloughley Paul Craig Roberts Liaquat Ali Khan Farzana Versey Peter Lee Peter Morici Ralph Nader / Yinon Cohen / Wajahat Ali Johnny Barber Alan Farago Jeremy Scahill Mike Whitney Ranjit Hoskote Carl Finamore Marjorie Cohn Norm Kent Missy Beattie Binoy Kampmark David Macaray Nancy Stohlman Ron Jacobs David Yearsley Lorenzo Wolff Poets' Basement Website of the Weekend December 4, 2008 Ece Temelkuran Ralph Nader Harry Browne Eamonn Fingleton Conn Hallinan Mike Whitney Stewart J. Lawrence Paul Fitzgerald / Karyn Strickler Jennifer Matsui Website of the Day December 3, 2008 Andrew Cockburn Sheldon Rampton Robert Weissman Yifat Susskind William Blum Alan Singer David Macaray Martha Rosenberg Mats Svensson Website of the Day December 2, 2008 Jeremy Scahill Paul Craig Roberts Ayesha Ijaz Khan Sarah Anderson / William Blum John Ross Dave Lindorff Nicola Nasser Steve Conn Robert Bryce Website of the Day December 1, 2008 Patrick Cockburn Damien Millet / Vijay Prashad Deepak Tripathi Joshua Frank P. Sainath Alan Farago Binoy Kampmark Chris Genovali David Michael Green Stephen Martin Website of the Day November 28-30, 2008 Alexander Cockburn Mike Whitney Ted Honderich Tom Kerr Mike Ely David Yearsley Deepak Tripathi Sonja Karkar Ramzy Baroud Robert Weitzel Robert Roth Carlos Fierro David Macaray David Rosen James Cockcroft Stan Cox Steve Conn Stephen Martin Richard Rhames Kim Nicolini Lorenzo Wolff Poets' Basement
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Weekend Edtion To Strike or Not to StrikeSAG's Terrible DilemmaBy DAVID MACARAY The Screen Actors Guild (SAG) is still without a contract, which, even in the best of times and for the most opportunistic of unions, is a tricky and precarious situation. But according to what’s being reported in mainstream and trade media, SAG—led by its fiery, beleaguered president, Alan Rosenberg—is close to slipping into your classic “no-win” status. Not to get sucked into Hollywood-style melodrama here, but given what’s happened so far, and what looms ominously on the horizon, it can be argued that SAG is in the worst position a union can find itself. With bad externals and equally bad internals, things look pretty damned bleak. Consider the formidable array of obstacles lined up against it. First, there’s the economy. The condition of the national economy has been described, variously, as “bad,” as “very bad,” even as “scary bad.” In any case, things are as disturbing as they’ve been since the Great Depression, with the prospect of getting worse before they get better. Not exactly the ideal climate for hunkering down to a tough negotiation. Second, SAG membership, led by a splinter group of big-name actors, including Tom Hanks, George Clooney, Alex Baldwin and Cameron Diaz, have publicly opposed SAG’s executive board’s decision to seek a strike vote, arguing that this is no time for saber-rattling and putting people in jeopardy of losing their jobs. Succumbing to pressure, SAG leadership announced on December 23 that the proposed strike vote, originally set to begin on January 2, would be moved back to January 14, “at the earliest.” On the flip side you have a group of other “name” actors, including Mel Gibson, Holly Hunter, Martin Sheen and Sandra Oh. This group is less sanguine. They believe that the issues facing SAG are simply too vital and timely to abandon without a fight, no matter how shaky the economy or how nervous the membership. With Tom and Mel squared off like this, the theater marquee would read: “Forrest Gump vs. Braveheart.” Third, there’s the AMPTP (Alliance of Motion Picture and Television Producers), SAG’s adversary at the bargaining table. Predictably, the Alliance is playing this up for all its worth, poor-mouthing its financial position and pretending that it’s already gone the extra mile to get a deal when, in fact, it’s barely moved an inch and has no intention of budging another millimeter. When Hollywood producers can get cast as the meek, sympathetic victims, baby, you know you’re behind a million-pound eight-ball. Fourth, the New York branch of the 120,000-member SAG union is, reportedly, engaged in a nasty, internecine battle with Rosenberg and company, taking management’s view that SAG-West is being reckless and irrational. It’s bad enough having management on your back; just imagine what it must feel like when it’s your own union brethren doing the clawing. Fifth, there’s been a considerable amount of negative public opinion. Talk radio, letters to the editor, op-ed commentaries, industry blogs—most of it has been critical of SAG, accusing it of the traditional, garden-variety union stuff, plus railing against its leaders for not being man enough to simply admit when they’re whipped. And sixth, there’s the pressure being exerted by “negotiation momentum.” With the DGA (Directors Guild of America), AFTRA (American Federation of Television and Radio Artists) and the WGA (Writers Guild of America) having already signed similar contracts, SAG comes off as militant, greedy, selfish, and isolated (“Hey, why can’t you guys be team players?”). It’s a grim picture. But here’s the irony: Despite a sick economy, negative public perception, and a potential membership rebellion, the guys running the show at SAG—the same guys who are being portrayed in the media as “cowboys” and “ego-maniacs”—are absolutely, dead-on correct in their assessment of the playing field and in what they’re seeking. The critical issues in this bargain involve the broad question of residuals for New Media ventures, technological areas which are still largely untapped and unpredictable, but potentially wildly lucrative. The Alliance desperately wants to keep these goodies locked up for themselves, resisting any attempts to further divvy up with the hired help. It’s not complicated and it’s not surprising. It’s Business 101. Forget it’s Hollywood for a moment. Treat this SAG vs. AMPTP deal like any other union vs. management negotiation. It’s been a time-honored management practice to use a weak economy as their main argument for not sweetening the pot, even when they’re not being hurt by it. (Note: Worldwide movie revenues continue to climb.) Of course, anyone who’s ever sat at a bargaining table knows there are two problems with this macro-economic scenario. One is that management never, ever allows the union to take the converse approach—to ask for a decent raise on the grounds that the economy is chugging along on all eight cylinders. Indeed, when the union tries to help itself by pointing out that the country is wallowing in one of the greatest economic boons in history, it’s told that the condition of the national economy is irrelevant, that they’re not there to talk the Big Picture, that they’re there to talk specific industry-related or company-related matters. It’s a one-way street. The other problem is that a union can never dig itself out of a hole once they’re in it. When you capitulate because the overall economy is weak (even when the company or industry in question is strong), you will struggle forever to make that up, even when things turn prosperous. In truth, you never catch up; you stay behind forever. Which is exactly what AMPTP wants. They want a 3-year contract that will give them an insurmountable headstart in New Media. The producers regard this innovative technology as a potential bonanza, viewing New Media the way John D. Rockefeller viewed a new oil field. Why share it, when you can keep it all for yourself—especially if you can use a convenient recession as your weapon? This brings us, finally, to the little matter of the strike vote itself. And that can be summed up in one sentence: If you ask for strike authorization, you damned well better get it. Period. To that end, SAG has set itself a formidable task. Unlike many unions, which require only a simple majority, SAG by-laws require a 75% mandate to authorize a strike. Given SAG’s public dissension, even the most optimistic handicappers believe that getting three-quarters of the membership to vote Yes will be a long-shot. Make no mistake: Nothing kills bargaining leverage quicker than having a strike vote fail. That’s why union leaders usually won’t risk a strike vote if they think it will fail. Not asking your members for strike authorization always leaves the lingering doubt that you may have gotten it, even when—like now, with SAG—it looks dubious. Without proof, neither side can know for certain. But a membership voting down strike authorization not only erases all doubt, it tells management two things: The members have no stomach for a fight and no confidence in their own executive board. In which case, the union may as well take a shovel and bury any hopes it had of getting a decent contract. David Macaray, a Los Angeles playwright (“Borneo Bob,” “Larva Boy”) and writer, was a former labor union rep. He can be reached at dmacaray@earthlink.net
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Lightning
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