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Today's Stories November 21 / 23, 2008 Alexander Cockburn November 20, 2008 P. Sainath Brian McKenna Paul Craig Roberts Andy Worthington Peter Lee Dr. Eyad al-Serraj Sen. Russ Feingold Lance Selfa Ray McGovern Benjamin G. Davis Tracy McLellan Website of the Day November 19, 2008 M. Shahid Alam Mario A. Murillo Martine Boulard Robin D. G. Kelley Behrooz Ghamari-Tabrizi Jonathan Cook Steve Conn George Wuerthner Michael Winship Stephen Martin Website of the Day November 18, 2008 Chellis Glendinning George C. Wilson Franklin Lamb Bill and Kathleen Christison Roger Burbach John Ross Wajahat Ali Damien Millet / Marc Gardner Eric Walberg Wendy Williams Website of the Day November 17, 2008 Michael Hudson Paul Craig Roberts Mike Whitney Steve Conn Andy Worthington Jonathan Cook Rannie Amiri David Macaray David Michael Green Charles Modiano Website of the Day November 14 / 16, 2008 Alexander Cockburn Jeffrey St. Clair Mike Whitney Sasan Fayazmanesh Moshe Adler Anthony DiMaggio Jean Bricmont Sheldon Rampton Douglas Valentine Joseph Nevins / Tom Barry Ron Jacobs Larry Portis Mary Lynn Cramer Obama's Brain Trust: Seems Like Old Times Sherry Wolf Peter Cervantes-Gautschi Jacob Hornberger Lance Selfa Benjamin Dangl Seth Sandronsky Russell Mokhiber Allan Stellar Kelly Overton Martha Rosenberg Richard Rhames David Yearsley Lorenzo Wolff Poets' Basement Website of the Weekend
November 13, 2008 Pam Martens Vijay Prashad Patrick Cockburn Jonathan Cook Ralph Nader Bill Quigley Lee Sustar Omar Barghouti Steve Conn Howard Lisnoff Jeff Cohen Website of the Day November 12, 2008 Johanna Berrigan Steve Conn Patrick Bond Bokar Ture / Alan Farago Dave Lindorff Karl Grossman David Macaray George Wuerthner Susie Day Website of the Day November 11, 2008 James G. Abourezk Allan J. Lichtman Eric Toussaint Ron Jacobs Peter Montague Corporate Crime Reporter Laura Carlsen Col. Dan Smith Morton Skorodin David Michael Green Charles R. Larson Website of the Day November 10, 2008 David Roediger Paul Craig Roberts Peter Lee Corey D. B. Walker Jeff Halper Bill Hatch Andy Worthington Bill Quigley Peter Morici Anthony Olszewski Kim Nicolini Cpt. Paul Watson Website of the Day November 7 / 9, 2008 Alexander Cockburn Jeffrey St. Clair Vijay Prashad Tariq Ali Jean Bricmont John V. Whitbeck Saul Landau Peter Morici Lawrence Velvel Karyn Strickler Nativo V. Lopez Christopher Fons Alan Farago David Yearsley Christopher Brauchli Samah Sabawi Dave Lindorff Deepak Tripathi Beth Sherouse Patrick Irelan Stephen Martin Richard Rhames J. Murray Lorenzo Wolff Kim Nicolini Poets' Basement Website of the Day
November 6, 2008 Frank J. Menetrez John Chuckman P. Sainath Joshua Frank Edna Canetti John Ross Norman Solomon Fawzia Afzal-Khan Robert Weissman Harvey Wasserman Website of the Day
November 5, 2008 Cockburn / St. Clair Chuck Spinney Ishmael Reed Chris Floyd Binoy Kampmark Michael Donnelly David Macaray Peter Morici Manuel Garcia, Jr. William Willers Website of the Day November 4, 2008 Kathleen Christison James Ridgeway Winslow T. Wheeler Mike Whitney Conn Hallinan Holly M. Barker Ashley Smith Andy Worthington Martha Rosenberg Stephen Martin Doug Lummis Carlos Fierro Website of the Day November 3, 2008 Patrick Cockburn John Kennedy O'Hara Peter Montague Steve Conn Andrew Gebhardt Ron Jacobs Ralph Nader Niranjan Ramakrishnan Uri Avnery Dave Lindorff Fred Gardner DC Larson David Michael Green Val Strange Tuli Kupferberg / Website of the Day
October 31 , 2008 Alexander Cockburn Jeffrey St. Clair Douglas Valentine Ismael Hossein-Zadeh Dr. Ignacy Nowopolski Alan Maass William P. O’Connor Patrick Irelan Brian Cloughley Mats Svensson Binoy Kampmark Steve Conn Alan Farago Morton Skorodin Robert Bryce Wajahat Ali David Yearsley Dennis Loo Pam Martens Stephen Martin Richard Rhames Ramzy Baroud Missy Beattie Howard Lisnoff Richard Neville Saul Landau / Kim Nicolini Lorenzo Wolff Poets' Basement Website of the Weekend October 30, 2008 Cockburn / St. Clair Vijay Prashad Paul Craig Roberts Glen Ford Stanley Heller William Loren Katz Joshua Frank James McEnteer Felice Pace Jonathan Cook Reza Fiyouzat Website of the Day
October 29, 2008 Arno J. Mayer Eric Toussaint Matt Gonzalez Steven Conn Jonathan Cook Patrick Bond Ramzi Kysia Douglas Valentine Stephen Martin Margaret Dooley-Sammuli Amee Chew Website of the Day
October 28, 2008 James G. Abourezk Andy Worthington Gary Leupp Paul Craig Roberts Mike Whitney Gregory V. Button Ralph Nader P. Sainath Martha Rosenberg Charles R. Larson Website of the Day October 27, 2008 Michael Hudson Barbara Rose Johnston John Dinges Mike Whitney Mary Lynn Cramer Greenspan's Higher Power Alan Farago David Michael Green Andy Worthington George Wuerthner Niranjan Ramakrishnan Website of the Day October 24 / 26, 2008 Alexander Cockburn Ishmael Reed Mike Whitney Don Santina Scott Boehm Saul Landau Ron Jacobs Binoy Kampmark Linn Washington Jr. Nicole Colson Bernard Chazelle Brian Jones Christopher Brauchli Benjamin Dangl Val Strange Steve Early David Macaray Allison Kilkenny Richard Rhames Jim Bell Kris De Welde Barry Clemson Adam Engel Mark Scaramella Tuli Kupferberg Lorenzo Wolff Poets' Basement Website of the Weekend October 23, 2008 Allan J. Lichtman Todd Chretien John Ross Peter Morici Mats Svensson Marlene Martin Robert Jensen / Margaret Kimberley Deepak Tripathi David Morris Website of the Day October 22, 2008 Brian Cloughley Heather Gray Jeff Birkenstein Ralph Nader DC Larson David Swanson Keeanga-Yamatta Taylor Race and the Election: When the "Real" America Enters the Voting Booth Larry Everest Robert Fantina Martha Rosenberg Stephen Martin Website of the Day October 21, 2008 Vijay Prashad Paul Craig Roberts Corey D. B. Walker Steve Breyman Eric Toussaint Wajahat Ali Robert Weitzel Brendan Cooney Dave Lindorff Marqueece Harris-Dawson / Bob Wing Patrick B. Barr Omar Barghouti Website of the Day October 20, 2008 Michael Hudson Anthony DiMaggio Tariq Ali Uri Avnery Bill Quigley Ben Rosenfeld David Michael Green William S. Lind Chris Genovali Stephen Martin Howard Lisnoff David Yearsley Website of the Day October 17 / 19, 2008 Alexander Cockburn Jeffrey St. Clair Pam Martens Paul Craig Roberts Mike Whtney Michael D. Yates Suzanne Smith Carl Boggs Ralph Nader Fidel Castro Dave Marsh Saul Landau Jo Guldi Kevin Zeese Larry Everest Steve Early David Macaray Ben Terrall Missy Beattie Don Monkerud Helen Redmond Dan Bacher Wajahat Ali Farzana Versey Vladimir Frolov Kim Nicolini Poets Basement Website of the Day
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Weekend Edition Tamar Yorum's "To See If I'm SmilingWomen Soldiers Serving in (and Barely Surviving) the Israeli ArmyBy LARRY PORTIS Tamar Yorum is a young Israeli woman who represents an important phenomenon in her country: the transfer of allegiance of the Israeli intelligentsia from support of established ideas and institutions to an alternative vision of social existence. To criticize service in the Israeli army, no matter how implicitly, is to question the very foundations of the Israeli state. Her documentary film on women’s obligatory military service in Israel uses clandestine footage from human rights groups such as B’Tselem and, especially, filmed interviews of young Israeli women recounting their experiences as soldiers in the famed Israeli Defense Forces, the IDF — “Tsahal”. Tsahal? Yes. As Michel Warshawsky (director of the Alternative Information Center in Jerusalem) has exclaimed: “We have the only army in the world called by a nickname!” This is appropriate, and clever, for military service in Israel is an intimate affair in this militarized society, where soldiers of both sexes as well as civilians walk the streets, sit in cafés and ride public transportation carrying automatic weapons as if they were handbags or umbrellas. One enters the army at age 18, two years for girls, three for boys and for them annual reserve training and service for another thirty years or more. Military service in Israel is, it is explained, a necessary civic activity of little adverse personal consequence. On the contrary, it builds character. But what kind of character? And can the Israeli state continue indefinitely to keep its non-Jewish population in a condition of second-class citizenship, steal the land and resources (especially the water) of Palestinians in the Occupied Territories, and brutalize, impoverish and otherwise prepare this population for eventual expulsion? Are democratic ideals and institutions compatible with the arrogance of power, racist ideas or inclinations, or the kind of psychic denial necessary for the brutality of military occupation? Tamar Yorum’s film does not directly answer these questions, but we see that, beyond knee jerk nationalism, “Tsahal” is composed of soldiers like those of any super power bent on using its “cannon fodder” regardless of the price they must pay. When I saw this film in late October 2008 at the Mediterranean film festival in Montpellier, France, I was sitting next to a young Palestinian woman wearing a Muslim headscarf. From the city of Nablus on the West Bank — occupied territory — but now studying in France, she has been “controlled” innumerable times by soldiers at checkpoints, often by women. She undoubtedly has little sympathy for them. Yet, like most viewers in a theatre silent except for the testimony coming from the soundtrack, she was soon weeping, and she was weeping for the Israeli girls who told their stories. Some of the testimony is not too surprising. If, for example, there is no real equality between males and females in the IDF, to expect otherwise would be naïve. After all, this is the Middle East and, besides, who can say that sex discrimination does not exist in the US army, or the French army…? At any rate, one ex-soldier explains that it is so very important for a girl to have nice-smelling hair. This is expected. But she also explains there are other expectations to respect, such as keeping silent when fellow soldiers steal from Palestinian homes that are routinely raided. One young soldier, believing the propaganda that the Israel army is the most “moral in the world”, reported such a case of theft. She was soon led to understand her mistake. Another could have exposed a falsified report that led to the imprisonment of Palestinians who had done nothing. But she did not have the courage to do so. Another protested that an arrested man clearly was not guilty of an alleged offense and that this would be revealed during his interrogation. She was told: “Don’t worry. He will confess.” Camaraderie, peer pressure, the sheer ignorance and the exuberance of eighteen to twenty-one-year-olds given authority over others — in the occupied territories — and expected to perform in all conditions, none of this is shocking. Military occupation of course involves the brutal treatment of the conquered population. As a former female soldier quickly discovered: “It’s the Far West. We can do what we want there.” Occupation de-humanizes. This has been seen in Vietnam under the US boot, in Algeria “pacified” by the French, in Iraq and Afghanistan today. But if the population to be pacified is treated like sub-humans by the occupiers, it is the latter who are de-humanized. As former Secretary of Defense, Donald Rumsfeld, once explained, “Shit happens”. No need to be upset. But youngsters sometimes have trouble dealing with it. When, for example, someone you know is killed. One girl responded by requiring arrested men to stay in the burning sun for 13 hours without drinking, and then forcing them to do push-ups. All this is the stuff of future memories and reminiscences for impressionable young people. When one girl-woman asked to see the body of a dead man, she was obliged, but then ordered to clean off the blood, urine and excrement, in order to hide the signs of torture. This was not exactly to her taste. Seeing a dead body is perhaps a thrilling, first-time experience, but to come to know a corpse so intimately… But this is not a simple litany of horrors. We can find such material everywhere. What is overwhelming in “To See If I’m Smiling” is seeing and hearing these women relate their stories. Because it is not easy to do: for them to tell, or for us to listen and watch. Tamar Yorum worked four years to find and then film the people who not only experienced the reality of military occupation, but who had the courage to admit, in front of a camera, what they had done, either actively or passively. One advantage Yorum had was that she had similar experiences when she served in the Occupied Territories in the 1980s between the ages of 18 and 20. For example, she watched a man tortured until he collapsed into a generator, blood streaming from his face. But watch the young woman who killed a child, who now has a child of her own. How can she live with this? As she says herself, there is no choice. It is now part of her life. It is weight attached permanently to her soul, a presence in her brain that ceaselessly announces a guilt for which she cannot, ever, find atonement. Or watch the girl who had herself proudly photographed with a deal man’s corpse, because the man had an erection and it was fun to pose next to it. Imagine using death for amusement. After her military service, she could not bring herself to look at the photo, before having consented to be interviewed by Tamar Yorum. And during the interview we at first don’t understand the meaning of her embarrassed, slightly hysterical laughter. Gradually, we realize that this is a sign of her psychic discomfort. We come to understand the symptoms of her neurosis. The laughter belies the fear and pain mixed with self-consciousness, when she says she will, in the end, look at the photograph of herself as a young, exuberant soldier-girl next to a corpse with an exposed erection, “to see if I’m smiling”. Maturity is a funny thing. Becoming aware of our failings, our weaknesses, is never agreeable. It is not easy to gain objectivity about ourselves, and come to see others with the same indulgence we normally and unconsciously have for ourselves, to accept the “other” as a being as valuable as ourselves. That fact that Tamar Yorum’s film is about women is certainly not by chance. Everyone knows that, somewhere, for reasons that are not so difficult to understand, women’s subordinate status makes them naturally more mature in terms of greater sensitively to others, in terms of “emotional intelligence”. But women are also complicit in everyday atrocities when institutional authority deems it legitimate and necessary to deny the humanity of “others”. What we have before us in this film is a contemporary example of what Hannah Arendt called the ‘banality of evil”. Israelis, no less than people in the United States, France or Nazi Germany, tend to feel their own suffering more than that of their victims. Adolf Eichman could not admit that his actions were reprehensible. This is Arendt’s point, referring to the Nazi horror and how those who administratively acquiesced to it were led to say: “What horrible things I had to watch in the pursuance of my duties, how heavily the task weighed upon my shoulders!” instead of saying “What horrible things I did to people!” The most emotionally intelligent and courageous Israelis are now refusing to deny their complicity in crimes against humanity. Ari Folman’s film, “Waltzing with Bashir”, about an Israeli soldier who passively participated in the massacres in the Palestinian refugee camps of Sabra and Shatila in Beirut, develops another aspect of the same theme: how the minds of good people who have participated in evil actions resist the reality through denial. For many people, if not most, the actions simply did not happen. They “put them out of their minds.” It is such a common phenomenon. It has been a feature of all the genocides perpetrated in recent times, from that of the Native Americans, to the Armenians in the Ottoman Empire, to the Nazi horrors, to the “pacification” of Algeria by the French, and right up to Rwanda and Burundi and Iraq. The list is too long to mention all the examples, but in all of them the individual will to forget, and the collective effort to distort the historical record, is remarkable. The most honest, intelligent and sensitive Israeli intellectuals — thinkers, teachers, and artists of all kinds such as writers, filmmakers, musicians and actors — increasingly say “no”. Such people are of course a small minority in Israeli society, but over time their criticisms will be of the utmost importance. Larry Portis is an historian and writer living in France who has recently published a history of fascism in the United States (Histoire du fascisme aux Etats-Unis, Paris, Editions CNT-RP, 2008). He may be reached at larry.portis@orange.fr
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