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Today's Stories March 25, 2008 Ishmael Reed The Crazy Rev. Wright March 24, 2008 Jeffrey St. Clair Blonde Ambition: Hillary's Berserker Campaign for 2012 Peter Morici Digging Out of the Recession Uri Avnery Two Americas Wajahat Ali First of the Mohicans: an Interview with Rep. Keith Ellison Paul Craig Roberts Inside the Shell Game George Ciccariello-Maher The Coming War on Venezuela Stephen Lendman Sami Al-Arian's Long Ordeal Christopher Brauchli Possessing Someone Else's Country Cat Woods A Letter to Mom on Obama Stacey Warde Tax Burden Dave Lindorff The American Dead Hits 4,000, But Who's Counting? Website of the Day Live from the Longest Walk   March 22 / 23, 2008 Ralph Nader Bush Blisters the Truth on Iraq Nicole Colson Can You Afford to Feed Your Family? James Petras The Cost of Unilateral Humanitarian Initiatives Laura Carlsen From Bombs to Markets: The Andean Crisis and the Geopolitics of Trade Greg Moses Tolerance and the American Pulpit Andy Worthington Torture Stories Dog Guantánamo Trials Michael Dickinson Art on Trial John Ross Bush's Surge Hits Mosul Missy Comley Beattie Killer Economics David Michael Green Happy Anniversary, America! Ramzy Baroud The Coming Uncertain War on Iran Martha Rosenberg Easter Egg Shells from Hell Paul Watson Evolution is Going to the Dogs in the Galapagos Isabella Kenfield Monsanto's Raid on Brazil James Murren Logging v. Water in Honduras Jacob Hornberger Sex and the Immigration Officer Kathlyn Stone Ben Heine, Master of the Art of Resistance Seth Sandronsky Rethinking New Mexico's History Kim Nicolini Class, Gender and Abortion in Communist Romania Jeffrey St. Clair Booked Up: What I'm Reading This Week Poets' Basement Wilson, Woods, Gibbons and Orloski Website of the Weekend Merci, McCain!   March 21, 2008 Marleen Martin Land Behind Bars: the Hidden Casualties of America's "War on Crime" Peter Montague Run Your Car on Coal? Maybe Not Saul Landau Monroe's Deadly Doctrine Anis Hamadeh Merkel in the Knesset Jacob Hornberger McCain's Al Qaeda Scare: Slip or Tactic? Khalil Nakhleh Al Nakba of 1948: How Long Will It Persist? Adam Isacson Colombia, Paramilitary Threats and Assassinations Kenneth Couesbouc Money for Nothing Madis Senner Will the Feds Underwrite the Stock Market? Monica Benderman The Costs of Freedom: What Are You Willing to Pay? Website of the Day Stop Foreclosures and Evictions March 20, 2008 Damien Millet / Eric Toussaint The Triple Failing of the Big Private Banks Mike Whitney Winding Up Bear John Ross What Do We Owe Iraq? Dave Lindorff Paying the Piper: the Bodies and Bills are Piling Up Wajahat Ali Pakistan on Fire Jill Nagle Memo to Sex Workers: Stop Financing Shock Journalism Manuel Garcia, Jr. Obama and the Psychic Auto-Shrink-Wrapping Called Race in America Dan La Botz Obama's Race Speech Robert Weissman Alternative Power: Shutting Down the API Stella Dallas / Jennifer Matsui Apostasy Now! Mamet, Enter Stage Right Website of the Day The Angry Monk   March 19, 2008 Patrick Cockburn A War of Lies Robert Fisk The Little Men and the Inferno Jeff Taylor Five Years of War in Iraq Ed Ruggero From Pinkville to Iraq: the Dark Anniversary of My Lai Ron Jacobs Who'll Stop the Rain? Christopher Fons Obama Takes the Race Bait Sherwood Ross In Defense of Rev. Wright Cynthia McKinney An Urgent Crisis: Confronting America's Racial Disparities Joshua Frank The Kool-Aid That Kills Robert Weissman Monsanto's Genetic Food Gamble Walter Brasch It's a Welfare State--If You're Rich Yifat Susskind Iraqi Women Resist the Occupation Andrew Wimmer War Demands Its Due Website of the Day Glimpses of Nature   March 18, 2008 David Price The Military "Leveraging" of Cultural Knowledge Paul Craig Roberts The Collapse of American Power Tim Wise Of National Lies and Racial America: Jeremiah Wright, Barack Obama and the Unacceptability of Truth Patrick Cockburn One of the Most Disastrous Wars Ever Fought Conn Hallinan Afghanistan, a River Running Backward James T. Phillips Monsters: Past, Present and Wannabe Uri Avnery The Killing in Bethlehem David Macaray Could Wal-Mart Revive the Labor Movement? Marjorie Cohn Beware an Attack on Iran Peter Zinn Obama in New Orleans Dan La Botz The Economic Crisis, Labor and the Left Monica Benderman Where are We Going?   March 17, 2008 Pam Martens The Fed's Wall Street Dilemma Sasan Fayazmanesh The US, Iran and the Policy of Dual Containment Nelson P. Valdés The Imperial Branding of Simon Bolivar and the Cuban Revolution Peter Morici The Corrosive Consequences of the Trade Deficit Wajahat Ali Disrobing the Nine: a Conversation with Jeffrey Toobin on the Supreme Court Since 9/11 Ronnie Cummins Beyond Progressive Malpractice: Taking Down Big Pharma Shaun Harkin Saint Patrick's Day in Fortress America Ali Khan No Pardon for Musharraf Robert Jensen Beyond Peace P. Sainath Oh, What a Lovely Waiver! Greg Moses Jeremiah was a Bullhorn Dr. Susan Block Advice for Eliot Spitzer Website of the Day No Cowboys   March 15 / 16, 2008 Patrick Cockburn How to Destroy a Country in Five Years Mike Whitney Bearly Alive: Investment Giant Rushed to ICU by Panicky Fed Chief Ralph Nader Of Laws and Men Robert Pollin It's Still the Economy, Stupid Diane Christian The Poetics of Perversity: From Boccaccio to Spitzer Wajahat Ali Faking the Hood: a Conversation with Ishmael Reed Tom Wright / Therese Saliba Rachel Corrie's Case for Justice Alan Farago Back to Florida: Where Bushtime Began Greg Moses Raiding the Family Room in Texas Michael Hudson A Grand Global Bargain? Martha Rosenberg Why Hillary's Favorite Chicken Company is Eying China John Goekler Fourth Generation Warfare in a Fifth Generation Conflict Uzma Aslam Khan A Letter to Barack Obama: Where's the Change, Barack? Oren Ben-Dor The Silencing of Gilad Atzmon David Underhill Mammon, Morals and the Mobile Tanker Deal Fred Gardner The Education of Eliot Spitzer David Michael Green Why Spitzer Should Have Resigned (and Why He Shouldn't Have) Rev. William E. Alberts Jesus, Entombed in Heaven Gail Dines It's All About the John: Prostitution and Male Power David Yearsley Conducting, Anarchy and the Problem of When to Begin Chris Clarke Walking with Zeke: the Luckiest of Dogs Poets' Basement Anderson, Lodge & Subiet Website of the Day Deviant Art   March 14, 2008 Paul Craig Roberts Watching the Dollar Die Don Santina Vichy Democrats: Pelosi and the Politics of Collaboration Patrick Cockburn Iraqi Mother Vows Revenge on US: How She Lost Her Husband and Her Sons Tim Rinne StratCom Rules! The Next War Will Start in Nebraska Robert Fantina In Torture We Trust Saul Landau Letter to the Presidents-in-Waitings David Macaray Common Myths About Labor Unions Franklin Lamb Is the Bush Administration Switching Horses in Lebanon Michael Neumann The One State Illusion: Reply to My Critics March 13, 2008 Paul Craig Roberts Republicans and "Free Market" Zealots Bring Disaster to America Mike Whitney Meltdown Looms Larger As Credit Markets Freeze Assaf Kfoury "One-State or Two State?"- Sterile Debate on False Alternatives Andy Worthington Afghan Hero Who Died in Guantánamo: The Background to the Story Adam Federman From Autopia to Autogeddon: Cars Reach the End of the Road March 12, 2008 Dave Lindorff Bringing Down Spitzer: It's the Big Brother Who Should Bother US R.F. Blader The Spitzer Backlash Yonatan Mendel How to be an Israeli Journalist. Never Write "Murder" or "Palestine" Jonathan Cook One State or Two? Neither. The Issue is Zionism Bill and Kathy Christison Fallon and Gates -- At Least One Cheer James J. Brittain Was the U.S. Involved in Killing the FARC-EP Leaders Ron Jacobs "All the Money You Make Will Never Buy Back Your Soul" March 11, 2008 Paul Craig Roberts How to End the Subprime Crisis Ed O'Loughlin How Israeli Troops Invade Homes in Gaza, Brutalize, Smash and Steal Ramzy Baroud 'Unwavering Commitment' to Inequality Kathy Christison One State or Two? The Debate Over Israel and Palestine China Hand PRC Plays it Cool, as U.S. Tries to Amp Up Pressure on Iran John Joslin Thank You, Nafta! Welcome to Weirton, Home of the Discount Cigarette Mike Averko Serb Politics, Kosovo and the Moscow-Washington Divide Ben Rosenfeld Gavin Newsom's Kneejerk Plan Thierry Paquot High Rise, Low Spirits:The Curse of the Tower Block March 10, 2008 Uri Avnery "Kill A Hundred Turks and Rest": The Five-Day War in Gaza Col. Dan Smith Scoring the "Surge" and What Lies Beyond R.F. Blader Why "Lock Them Up and Throw Away the Key" is Losing its Sheen Michael Neumann The One-State Illusion: More is Less Bob Fitrakis and Harvey Wasserman Did the Republicans Give Hillary Her Victory in Ohio? James J. Brittain Anti-Uribe Protests in Colombia and the World Missy Comley Beattie The Passion of John McCain March 8-9, 2008 Weekend Edition JoAnn Wypijewski The Only Way to Fight the Clintons Mike Whitney Sorting Through the Rubble in Post Bubble America Peter Morici Fed and Treasury Fiddle as Economy Plummets Ralph Nader The Silent Violence of Gaza's Suffering that Candidates Ignore Jonathan Cook The Meaning of Gaza's Shoah Steve Niva Behind the Israeli Escalation in Gaza Bill and Kathy Christison Crisis over Teheran's Alleged Nuclear Plans Nearing Climax Hervé Do Alto and Franck Poupeau Bolivia: Morales is Checked Eric Walberg To Leave and Stay at the Same Time: Putin to Medvedev to…? Scott Johnson City of A Thousand Foreclosures Mark Scaramella James Brown's Gate Bill Clinton President Clinton's Remarks on Naming William M. Daley as NAFTA Task Force Chairman Poet's Basement St. Thomasino, Engel, Davies and Willson Website of the Weekend Hillary Blackens Barack March 7, 2008 Patrick Cockburn Why Iraq Could Blow-Up in John McCain's Face Robin Blackburn Question for Barrack Obama: Why Afghanistan is the 'Right War'? Saul Landau The Stupid Economy Binoy Kampmark When Competition is Good: McCain and the Muddled Democrats Chris Floyd Crushing the Ants: Admiral Fallon and His Empire Andy Worthington Spanish Drop "Inhuman" Extradition Request for Guantánamo Britons Will Potter Before the Smoke Even Clears in Seattle: Bringing Out the T Word March 6, 2008   March 6, 2008 Vincent Navarro The Next Failure of Health Reform Forrest Hylton High Stakes in the Andes: Colombia's Cornered President Peter Morici Why the Dollar is So Cheap George Ciccariello-Maher Counter-Attack of the Bureaucrats John Ross Taxi! Taxi! The Dark Side of the Oscars Jacob Hornberger No Standing to Lecture on Justice Paul Watson Illegal Japanese Whaling by the Numbers Dan Bacher Off the Deep End Website of the Day A Katrina Reader Online   March 5, 2008 Cockburn / St. Clair A Great Day for John McCain (and Maybe Nader) Joanne Mariner After Guantanamo Fidel Castro The Raid on Ecuador: Underestimating Rafael Correa Christopher Brauchli The Turkish Invasions Steven Sherman Obama and the Prospects for a Renewal of the Left Dave Lindorff Busting Bush & Co. in New England James Murren Bombing Somalia Adam Engel Necropolis Now Website of Day Remember Song   March 4, 2008 Wajahat Ali Mumbo Jumbo: Naming Names with Ishmael Reed William Blum How Could Hillary Have Known? Bill Quigley The Cleansing of New Orleans Ralph Nader The Prince Harry Solution Patrick Irelan Oil and Health in Venezuela James J. Brittain / R. James Sacouman Uribe's Colombia is Destabilizing a New Latin America Norman Solomon The War Election Jacob Hornberger Hillary in Waco: the Missing Apology Andy Worthington Guantánamo and the European Parliament Mike Averko Kosovo and the Press Website of the Day Tex-Mex Primary   March 3, 2008 Jennifer Loewenstein Gazan Holocaust Alan Farago American Politics and the Faltering Economy Richard Gott Colombian Deaths in Ecuador Wajahat Ali Who Speaks for a Billion Muslims? Analyzing the World Gallup Poll with John Esposito Paul Craig Roberts The Mukasey Conspiracy: a Bi-Partisan Attack on the Constitution Robert Weissman When Multinationals Say Adieu Uri Avnery Good Morning, Hamas Martha Rosenberg When Your Meat is a Downer Eva Liddell Leave the Next Dance for Bill Michael Donnelly Will Ferrell Does Flint Website of the Day Muddy Waters: Train Fare Home Blues   March 1 / 2, 2008 Alexander Cockburn The Race Card Paul Craig Roberts The Political Trial of Don Siegelman Kathleen and Bill Christison Nader the Best Antidote to American Imperialism Nelson P. Valdés Cuba After Fidel Christopher Brauchli Meet Mr. Nursultan Nazarbayev: Friend of Bill, George and Dick Ron Jacobs Inside the Secret City: Bomb Making at Oak Ridge John Ross The New Conquistadores: Spain's Reconquest of Mexico Robert Fantina Posturing Over Patriotism: Obama and Those Lapel Pins Robert Weissman Hidden in Plain Sight: Human Rights Hypocrisy Mohammed Omer Fear in Gaza Remi Kanazi Barack Obama and the Politics of Xenophobia Bob Jackson Why is Yellowstone Destroying Its Bison Herd? Richard Rhames Casual Threats: Loaded with Mercury Franklin Lamb Lebanon Awaits the Arrival of the USS Cole Rannie Amiri Showboat Diplomacy: US Warships Steam Toward Lebanon David Michael Green The Three Faces of Hillary: the Politics of Flim-Flam Conn Hallinan Notes from the Southern Cone Faheem Hussain Prince Harry of Afghanistan and the Meaning of Normalcy Poets' Basement Gibbons, Orloski, Gardner and Ford Website of the Weekend The Palestine Chronicle Needs (and Deserves) Your Help!     February 29, 2008 Matt Gonzalez The Obama Craze Jonathan Cook Academic Freedom? Not for Arabs in Israel Joshua Frank Obama and Israel Anthony DiMaggio The Unilateral Presidency: Signing Statements and the Rollback of American Law Linn Washington, Jr. Cop Abuse in America Binoy Kampmark Hubris and Nemesis Robert Bryce Energy Efficiency May be a Good Thing, But It Won't Cut Energy Use Sonja Karkar Australia's Government Continues Its Love Affair with Israel Dave Lindorff A Manchurian Candidate in the White House? Obama or Bush? Website of the Day Olduvai George   February 28, 2008 Patrick Cockburn "Iraq" Falls Apart Fred Gardner The Birth of NAFTA Michael Levitin The Crisis in Kosovo is Just Beginning William S. Lind The Fake State of Kosovo David Macaray A Ray of Hope for Organized Labor Stephen Fleischman Nader's Latest Run: Monkey Wrench or Cattle Prod? George Wuerthner The Myths of Forest Health: Why Ecological Logging is an Oxymoron Laura Carlsen The North American Union Farce Carl Finamore Why the Delta-Northwest Deal Hasn't Taken Off Michael Dickinson The Day I Bombed the House of Commons Website of the Day Plane Stupid   February 27, 2008 David Rosen Playing the Race Card: Obama, Love Across the Color Line and Political Dirty Tricks Vijay Prashad Bomber John: McCain and the 100 Year War Harvey Wasserman Incident at Turkey Point: Did Florida Go to the Radioactive Brink? Andy Worthington Guantánamo's Shambolic Trials: Pentagon Boss Resigns, Ex-Prosecutor Joins Defense Wajahat Ali Pakistan for Sale: an Interview with Ayesha Siddiqa on Pakistan's Military Economy Peter Morici The Auction-Rate Securities Fiasco: a Drama of Greed and Betrayal Stephen Philion Conspiracy Theory, Fears of Betrayal and Today's Anti-War Movement Michael Donnelly Obama by Unanimous Decision Erica Rosenberg / Janine Blaeloch After the Land Deals: Will There be Any Wilderness Left to Protect? Website of the Day Dress Blues   February 26, 2008 Debbie Nathan Confessions of a Gitmo Guard Alan Dershowitz v. Frank Menetrez On Finkelstein Harvey Wasserman How Ohio Got Nuked Michael Colby Ralph Nader vs. the Fundamentalist Liberals Gary Leupp Condi vs. Putin on Bullying Belgrade David Orchard The New Conquistadors: Canada in Afghanistan Martha Rosenberg The Big HRT Fran Shor The Electoral Circus and Nader's Sideshow Serge Halimi The Dom Perignon Socialist Manifesto: Bernard Henri-Levy's Plan for the French Left Global Balkans Neo-Liberalism and Protectorate States in the Post-Yugoslav Balkans: an Interview with Tariq Ali Website of the Day Texistentialism   February 25, 2008 Roger Morris A Death in Damascus Anthony DiMaggio Military Bases, the Media and the Democrats Ralph Nader Why I'm Running Patrick Cockburn Iraq Broils Paul Craig Roberts Kosovo and the Empire Crazies Peter Morici Bernanke's Failing Policies: a Long Recession Looms Dave Lindorff General Welch's Whitewash: What We Still Don't Know About That Minot Nuke Incident Saul Landau / Farrah Hassen Fanatics, Mountebanks and Drillers: a Bloody Oil Film Heather Gray James Orange, Civil Rights Legend Robert Weitzel Accomodating Torture John Halle Kucinich Goes Down Website of the Day Do the Trunk Monkey! February 23 / 4, 2008 Alexander Cockburn The Mushrooming Clouds That Hang Over McCain Paul Craig Roberts Obama and Global Trade Wajahat Ali Omissions of the Commission: an Interview with Phillip Shenon on the 9/11 Commission Ralph Nader Neutering the FDA Jürgen Vsych "What Was Ralph Nader Thinking?" Fidel Castro Watching the US Presidential Campaign from Havana Andy Worthington Britain's Guantánamo David Macaray Unions Under Assault Jeremy Scahill The Real Story Behind Kosovo's Independence David Krieger Stanley Sheinbaum Caging the Cold War Monster Ron Jacobs Building for the Future Michael Garrity The Last, Best Hope for the Northern Rockies Brian McKenna Higher Ed's "Civic Engagements" Get Dumbed Down Missy Beattie Over the Hill with John McCain Fred Gardner American College of Physicians Takes Pro-Cannabis Stand (Mostly) Boris Kagarlitsky The Growth of the Russian Labor Movement Mike Ferner Kick That Barrel Dan Bacher On the Trail with the Border Angels Christopher Ketcham Hillary Goes Where Obama Fears to Tread Poets' Basement Davies and Buknatski Website of the Weekend Obama Mariachi   February 22, 2008 Mike Whitney The Bonfire of Capital Jason Hribal Elephants and the Circus: The Story of Janet Liaquat Ali Khan Arresting Musharraf Joshua Frank That Obama Glow: the Nuclear Industry's Golden Child Dave Lindorff Vicki's John: Ask Not What She Did for Him, Ask What He Did for Her! Liliana Segura When Torture is Old News: McCain's Blonde Diversion Robert Fantina Castro, Bush and Cuba: a Fiasco Waiting to Happen? Yifat Susskind The ABCs of Death: Bush vs. Africa's Women Norm Kent Pushing 60 with Pot Website of the Day Bush Gets Down in Liberia February 21, 2008 Saul Landau Fidel Steps Aside Elizabeth Schulte Left Behind, With No End in Sight: America's Long-Term Unemployed Helen Redmond Health Care as a Human Right Benjamin Dangl Undermining Bolivia Michael Levitin Kosovo's Dilemma Liam Leonard Fear and Loathing on the Emerald Isle Patrick Irelan Land and Food in Venezuela Linn Cohen-Cole Poor Ohio: a Second Letter to Hillary on Her Ties to Monsanto Michael Simmons Daydream Believer: John Stewart, the Miles Davis of Folk Music CounterPunch News Service A Message from the Women of Okinawa to US GIs Website of the Day Cop Abuse in Shreveport             Subscribe Online

March 24, 2008 Why is the Left So Boring? If I Can't Dance .... By DAVID ROVICS Last weekend I sang at an antiwar protest in downtown Portland, Oregon, on the fifth anniversary of the ongoing slaughter in Iraq. In both its good and bad aspects, the event downtown was not unusual. Hard-working, unpaid activists from various organizations and networks put in long hours organizing, doing publicity, and sitting through lots of contentious meetings in the weeks and months leading up to the event. On the day of the event, different groups set up tents to network with the public and talk about matters of life and death. There was a stage with talented musicians of various musical genres performing throughout the day, and a rally with speakers in the afternoon, followed by a march. Attendance was pathetically low. In large part I'm sure this was due to the general sense of discouragement most people in the US seem to feel about our ability to effect change under the Bush regime. It was raining especially hard by west coast standards, and that also didn't help. The crowd grew to it's peak size during the rally and march, but was almost nonexistent before the 2 pm rally. There was only a trickle of people visiting the various tents prior to the rally, and the musicians on the stage were playing to a largely nonexistent audience. The musical program, scheduled to happen from 10 am to 6 pm, was being billed as the World War None Festival. The term "festival" was contentious, however, and Pdx Peace, the local peace coalition responsible for the rally, couldn't come to consensus on using the term "festival." In their publicity they referred to the festival as an "action camp." The vast majority of people have no idea what an "action camp" is, including me, and I've been actively involved in the progressive movement for my entire adult life. The local media, of course, also had no idea what an "action camp" was, and any publicity that could have been hoped for from them did not happen. Word did not spread about the event to any significant degree, at least in part because people didn't know what they were supposed to be spreading the word about. Everybody from all political, social, class and ethnic backgrounds knows what a festival is, but certain elements within Pdx Peace didn't want to use the term to describe what was quite obviously meant to be a festival (as well as a rally and march). Anybody above the age of three can tell you that when you have live music on a stage outdoors all day, that's called a festival. But not Pdx Peace. Why? I wasn't at the meetings -- thankfully, I'm just a professional performer, not an organizer of anything other than my own concert tours, so I only know second-hand about what was said. There's no need to name the names of individuals or the smaller groups involved with the coalition in this case -- the patterns are so common and so well-established that the names just don't matter. Some people within the peace coalition were of the opinion that the war in Iraq was too serious a matter to have a festival connected to it. Because, I imagine, of some combination of factors including the nature of consensus decision-making, sectarianism on the part of a few, and muddled thinking on the part of some others, those who thought that a festival should happen -- and should be called a festival -- were overruled. My hat goes off to the World War None Festival organizers (a largely separate entity from Pdx Peace), and to those within Pdx Peace who tried and failed to call the festival what it was, and to organize a well-attended event. As to those who succeeded in sabotaging the event, I ask, why is so much of the left in the US so attached to being so dreadfully boring? Why do so many people on the left apparently have no appreciation for the power and importance of culture? And when organizers, progressive media and others on the left do acknowledge culture, why is it usually kept on the sidelines? What are we trying to accomplish here? It wasn't always this way. Going back a hundred years, before we had a significant middle class in this country, before we had a Social Security system, Worker's Compensation, Medicare, or anything approximating the actual (not just on paper) right to free speech, when most of the working class majority in this country were living in utter destitution and generally working (when they could find work) in extremely dangerous conditions for extremely long hours, often in jobs that required them to be itinerant, required them to forego the pleasure of having families that they might have a chance to see now and then, out of these conditions the Industrial Workers of the World was born. The IWW at that time was a huge, militant union that could bring industrial production in the US to a halt, and on various regional levels, quite regularly did. It was a multi-ethnic union led by women and men of a wide variety of backgrounds, from all over the world. It's most well-known member to this day was a singer-songwriter named Joe Hill, and he was only one of many of the musician-organizers that constituted both the leadership and membership of the IWW. While starving, striking, or being attacked by police on the streets of Seattle, Boston and everywhere in between, the IWW sang. Their publications were filled with poems, lyrics and cartoons. Everybody knew the songs and sung them daily. Some of the songs were instructive, meant to educate workers in effective organizing techniques. Others were battle cries of resistance, and still others celebrated victories or lamented defeats. Their cause was nothing short of the physical survival and spiritual dignity of the working class. They put their bodies on the line and were often killed and maimed for it, but they transformed this society profoundly, and they sang the whole way through. Was their cause serious? As serious as serious can get. And to this day, multitudes around the world remember the songs of Joe Hill, Ralph Chaplin, and T-Bone Slim, long after their speeches and pamphlets have been forgotten. Like many other singer-songwriters throughout the history of the class war, Joe Hill was executed by a firing squad in 1916. Why? Exactly because he was so serious -- a serious threat to the robber barons who ruled this country. A very different, much more rigidly ideological organization that rose to prominence during the declining years of the IWW was the Communist Party. This is an organization whose early years are within the living memory of close friends of mine, such as my dear friend Bob Steck, who died last year at the age of 95, and spent most of his life fighting for humanity. I spent hundreds of hours over the course of many years interrogating Bob about his life and times (at least ten hours of which are recorded for posterity on cassettes somewhere). The Communist Party was very different from the IWW in many ways, but in it's heyday it was also a huge, grassroots movement, whose leadership and membership took many cards from the IWW's deck, including their emphasis on the vital importance of culture. When Bob talked about the CP's orientation with regards to organizing the revolution in the USA, he said there were three primary components: the unions, the streets, and the theater. Fighting for the welfare of the working class by organizing for the eight-hour day and decent wages (largely through the communist-led Congress of Industrial Organizations, the CIO), organizing the starving millions in the streets into the unions of the unemployed, and -- just as importantly -- fighting for the hearts and minds of the people through music, theater, and art. Among the musical vanguard of the communist movement of the 1930's were people who are still household names today for millions of people in the US and around the world -- Pete Seeger, Woody Guthrie, Paul Robeson, to name a few. Traveling theater companies brought the work of Clifford Odetts and Bertoldt Brecht to the people, educating and inspiring militant action throughout the US. I remember Bob describing the audience reaction to one of the early performances of Waiting for Lefty in New York City, the gasps of excitement and possibility in the packed theater when the actors on stage shouted those last lines of the play -- "Strike! Strike! Strike!" Ten curtain calls later, everyone in the theater was ready to take to the streets, and did. Bob and his comrades organized and sang in New York, just as they sang going into battle in Spain in the first fight against fascism, the one in which the US was on the side of the fascists. Nothing unusual about that -- soldiers on every side in every war sing as they go into battle, whether the cause is just or unjust. They and their leadership, whether fascist or democrat, socialist or anarchist, know that the songs are just as powerful as the guns (regardless of what Tom Lehrer said). You can't fire if you're running away, and if you want to stand and fight you have to sing. Talk to anybody involved with the Civil Rights movement and they'll tell you, if we weren't singing, we surely would have lost heart and ran in the face of those hate-filled, racist police and their dogs, guns, and water cannon. Talk to anyone who lived through the 60's -- who remembers any but the most eloquent of the speeches by the likes of Martin Luther King, Malcolm X, or Mario Savio? But millions remember the songs. Bob Dylan, Buffy Sainte-Marie, James Brown, Aretha Franklin were the soundtrack to the struggle. Open any magazine or newspaper in this country to this day and you will find somewhere in the pages an unaccredited reference to a line in a Bob Dylan song. (Try it, it's fun.) Around the world it's the same. Dedicated leftists may sit through the speeches of Fidel Castro or Hugo Chavez, but transcendent poetry of Pablo Neruda and the enchanting melodies of Silvio Rodriguez cross all political and class lines. You will have to try hard to find a Spanish-speaking person anywhere in the Americas who does not love the work of that Cuban communist, Silvio. You'll have to search hard to find a Latino who does not have a warm place in their heart for that murdered Chilean singer-songwriter, Victor Jara. Talk to any Arab of any background, no matter how despondent they may be about the state of the Arab world, try to find one whose eyes do not light up when you merely mention the names Mahmoud Darwish, Marcel Khalife, Feyrouz, Um Khultum. Try to find anyone in Ireland but the most die-hard Loyalist who doesn't tear up when listening to the music of Christy Moore, whatever they think of the IRA. And ask progressives on the streets of the US today how they came to hold their political views that led them to take the actions they are now taking, and as often as not you will hear answers like, "I discovered punk rock, the Clash changed my life," or "I went to a concert of Public Enemy, and that was it." Music -- and art, poetry, theater -- is powerful (if it's good). The powers that be know this well. Joe Hill and Victor Jara are only a small fraction of the musicians killed by the ruling classes for doing what they do. By the same token, those who run this country (and so many other countries) know the power of music and art to serve their purposes -- virtually every product on the shelf in every store in the US has a jingle to go along with it, and often brilliant artistic imagery to go along with the jingle, shouting at us from every billboard and TV commercial. (The ranks of Madison Avenue are filled with brilliant minds who would rather be doing something more fulfilling with their creative energy.) Enter 2008. Knowing the essential power of music, the very industry that sells us music mass-produced in Nashville and LA has done their best to kill music. For decades, the few multi-billion-dollar corporations that control the music business and the commercial airwaves have done their best to teach us all that music is something to have in the background to comfort you as you try to get through another mind-numbing day of meaningless labor in some office building or department store. It's something to help you seduce someone perhaps, or to help you get over a breakup. It is not something to inspire thought, action, or feelings of compassion for humanity (other than for your girlfriend or boyfriend). There are always exceptions to prove the rule, but by and large, the writers and performers in Nashville and LA know what they're being paid to do, and what they're being paid not to do -- if it ever occurred to them to do anything else in the first place. But even more potently, all those millions of musicians aspiring to become stars, or at least to make a living at their craft, know either consciously or implicitly that any hope of success rides on imitating the garbage that comes out of these music factories. Of course, there are the many others who write and sing songs (and create art, plays, screenplays, etc.) out of a need to express themselves or even out of a desire to make a difference in the world, but they are systematically kept off of the airwaves, out of the record deals, relegated largely to the internet, very lucky if they might manage to make a living at their craft. Fundamentally, though, they are made to feel marginal, and are looked at by much of society as marginal, novelties, exotic. Although they are actually the mainstream of the (non-classical) musical tradition in the US and around the world, although the kind of music they create has been and is still loved by billions around the world for centuries, in the current climate, especially in present-day US society, they are a marginal few. And no matter how enlightened we would like to think we are, the progressive movement is part of this society, for good and for ill. Most of us have swallowed this shallow understanding of what music is. The evidence is overwhelming. There are, of course, exceptions. Folks like the organizers of the annual protests outside the gates of Fort Benning, Georgia -- School of the Americas Watch -- are well aware of the potency of culture, and use music and art to great effect, inspiring and educating tens of thousands of participants every November. On the other end of the spectrum are the ideologically-driven people who have turned hatred of culture into a sort of art. I have to smile when I think of the small minority of Islamist wackos who tried to storm the stage at one rally I sang at in DC in 2002, shouting, "No music! No music!" Security for the stage was being provided by the Nation of Islam, who faced off with this group of Islamists, who ultimately decided that throwing down with the Jewels of Islam behind the stage that day wasn't in their best interests, apparently. But much more prevalent, and therefore much scarier, are groups like the ANSWER "Coalition." (I put "coalition" in quotes because I have yet to meet a member of a group that theoretically makes up the "coalition" that has had any say in what goes on at their rallies, although the leadership of ANSWER is of course happy to receive the bus-loads of people that their "coalition" members bring to their rallies, which seems to be the only thing that makes ANSWER a "coalition.") ANSWER, last I heard, is run by the ultra-left sectarian group known as the Worker's World Party, which I strongly suspect is working for the FBI. (Although as Ward Churchill says, you don't need to be a cop to do a cop's job.) Millions of people in the US who regularly go to antiwar protests are unaware of who is organizing them. They just want to go to an antiwar protest. ANSWER has become almost synonymous with "antiwar protest," to the extent that many people on the periphery of the left (such as most people who go to their protests) refer to antiwar protests as "ANSWER protests," as in "I went to an ANSWER protest," whether or not the protest was actually organized by ANSWER. (Just as many people say "I was listening to NPR" when they were actually listening to a community radio station that has nothing to do with NPR, broadcasting programs such as Democracy Now!, which the vast majority of NPR stations still will not touch with a ten foot pole.) I always find it unnerving and intriguing that ANSWER protests always seem to be mentioned on NPR and broadcast on CSPAN, whereas rallies organized by the bigger and actual coalition, United for Peace and Justice (UFPJ), almost never manage to make it onto CSPAN or get covered by the corporate media. ANSWER always seems to get the permits, whereas UFPJ seems to be systematically denied them. Anyway, I digress (a little). I tend to avoid anything having to do with ANSWER or the little-known, shadowy Worker's World Party, but a few years ago I was driving across Tennessee listening to CSPAN on my satellite radio, and they broadcast the full four hours of an ANSWER protest in DC. I sat through it because I wanted to hear it from beginning to end, for research purposes, and Tennessee is a long state to drive through from west to east, had to do something during that drive. There was one song in the four-hour rally. Although I've been an active member of the left for twenty years, I recognized almost none of the names of the people who spoke at the rally. Every speech was full of boring, tired rhetoric, as if they were out of a screenplay written by a rightwing screenwriter who was trying to make a mockery out of leftwing political rallies. Judging from the names of the organizations involved, very few of which I recognized either, they were mostly tiny little Worker's World Party front groups. And since the Worker's World Party apparently doesn't have any musicians in their pocket, there was no music to speak of. (Or, quite probably I suspect, they don't want music at their rallies because they don't want their rallies to be interesting.) ANSWER is an extreme example, but a big one that most progressives are unfortunately familiar with, whether they know who ANSWER (or Worker's World) is or not. Inevitably, most people leave ANSWER protests feeling vaguely used and demoralized -- aside from those who manage to stay far enough away from the towers of speakers so they can avoid hearing all the mindless rhetoric pouring out of them. Contrast the mood with the protests at the gates of Fort Benning, where most people leave feeling hopeful and inspired. I know I have no more hope of influencing the leadership of Worker's World with this essay than I have of influencing the behavior of the New York City police department with it. But neither of these organizations are my target audience. Those who I hope to reach are those who are genuinely trying to create rallies and other events in the hopes of influencing and inspiring public opinion, in the hopes of inspiring people to action, in the hopes of winning allies among the apolitical or even among conservatives. The people I hope to reach are those who have been unwittingly influenced by the corporate music industry's implicit definition of what music and culture is and is not. And, here we go, I would count among this group most of the hard-working, loving and compassionate people who are organizing rallies, who are organizing actions, who are organizing unions, and who are creating progressive media on the radio, on community television and on the internet in the US today. I'd like to pause for a moment to make a disclosure. I am a professional politically-oriented musician, what the corporate media (and many progressives) would call a "protest singer," though I reject the term. I'm not sure what, if anything, I have to gain personally by publishing these thoughts, but I think it behooves me to point out that I am one of the lucky ones who has performed at rallies and in progressive and mainstream media for hundreds of thousands of people on a fairly regular basis throughout the world, and I would like to hope that my words here will not be understood as Rovics whining that he's not famous enough. I speak here for culture generally, not for myself as an individual singer-songwriter. My desire is to reach groups like Pdx Peace and their sister organizations throughout the country. These are genuinely democratic groups, real coalitions made up of real people, not sectarian, unaccountable groups like ANSWER. These are groups, in short, made up of my friends and comrades, but these are groups also made up of people who grew up in this society and therefore generally have a lot to learn about the power of culture to educate and inspire people. It is not good enough to have music on the stage as people are gathering to rally and as they are leaving to march. It's not good enough to have a song or two sandwiched in between another half hour of speeches -- no matter how many organizations want to have speakers representing them on stage, or whatever other very legitimate excuses organizers have for making their events, once again, long and boring (even if they're not as long or as boring as an ANSWER rally). It is not good enough for wonderful, influential radio/TV shows like Democracy Now! to have snippets of songs in between their interviews, when only two or three of those interviews each year are related to culture. It is a sorry state of affairs that NPR news shows do a better job of covering pop culture than Pacifica shows do in terms of covering leftwing culture. The vast majority of the contemporary, very talented, dedicated musicians represented by, say, the "links" page on <http://www.davidrovics.com>www.davidrovics.com, have rarely or never been invited to sing at a local or national protest rally (even if some few of us have, many times). The vast majority of progressive conferences do not even include a concert, or if they do, it's background music during dinner on Saturday night. I can count on one hand the number of times I have heard Democracy Now! or Free Speech Radio News mention that a great leftwing artist is doing a tour of the US. The number of fantastic musicians out there who have even been played during the station breaks on Democracy Now! is a tiny fraction of those that are out there -- of the dozens of musicians featured on my "links" page for example, only a small handful have even been played once. It is shameful that it's easier to get a national, mainstream radio show in the UK or Canada to plug a tour of such a musician than it is to get any national Pacifica program to do this. Radical culture needs to be fostered and promoted, front and center, not sidelined as people are gathering, or when the radio stations are doing station ID's. Because if the point is to inspire people to action, a song is worth a hundred speeches. If the point is to educate people, a three-minute ballad is easily equal to any book. (They'll read the book after they hear the song, not the other way around.) It is often said that we are in a battle for the hearts and minds of the people of this country. It is us versus CNN, NPR, Bush, Clinton, etc. In this battle, style matters, not just content. In this battle, it is absolutely imperative that we remember that it is not only the minds we need to win, but the hearts. At least in terms of the various forms of human communication, there is nothing on Earth more effective in winning hearts than music and art. We ignore or sideline music and art at our peril. It's time to listen to the music. David Rovics is a musician. He can be reached at: drovics@gmail.com

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